compositions

Ragamala Chiaroscuro II (2014) microtonal music for bass clarinet, alto saxophone, and oboe score: ragamala II premiere performance at SF Center for New Music: Six Primes  (2010-14) suite for piano solo in 13-limit just intonation score: *Six Primes, and link to CD recording on New World Records Music of the Lost Cities (2010-14) video/sound/text fixed media, with Johanna Poethig Two Left Hands (2013) dan bau (Vietnamese monochord) and interactive computer, with Van-Anh Vo Petals (2013)                  for interactive computer and keyboard controller video of live performance at SuperDeluxe, Tokyo, 11.18.14 Matrix Improvisation (2012) piano and interactive computer signal processing Gangsa (2010) four flat-gongs and computer signal processing excerpt below, full recording available on Iconicities, New World Records Poly1 (1999) MIDI keyboard and interactive computer Rivers of Voices (2009) live computer music systems and quadraphonic radio transmissions, with Guillermo Galindo Arcade (2008) string quartet in just intonation, a  Rhythm-Harmony quartet for  Henry Cowell Vav (2008), with The HUB computer network ensemble, or fixed media surround sound installation Imaginary Birds (2008) piano solo, or piano, cello, and percussion, with interactive computer; based on Olivier Messiaen’s Oiseaux Exotiques Stupa (2007), for José Maceda piano, vibraphone, and interactive computer signal processing excerpt below, full recording available on Iconicities, New World Records Cut To Ribbons (2005) computer network ensemble, with The HUB excerpt below, full recording available on Boundary Layer, 3CD box set, Tzadik TeleSon (2005) two networked reacTables video of premiere performance in Barcelona, 2005 Rogue Wave (2004) DJ, percussion, and two-channel tape excerpt below, full recording available on Rogue Wave CD, Tzadik Shuffle (2004) piano improvisation and interactive computer music system OverUndeRumba (2004) string quartet and four-channel tape Ragamala Chiaroscuro (2004) trumpet and two trombones, in 5-limit just intonation Transmission Mission (2004) live computer music, poetry and quadraphonic radio transmissions, with Guillermo Galindo Retrospectacles  (2003) piano and interactive computer processing Transmission Main Street  (2003) live computer music quadraphonic radio transmissions. Transmission Temescal  (2002) live computer music systems and quadraphonic radio transmissions, with Guillermo Galindo Marking Time (2002) computer music soundtrack for video installation by Johanna Poethig. Transmision Naranja (2002) live computer music systems and quadraphonic radio transmissions, with Guillermo Galindo Cloudstreams/Bellwethers (2001) computer network ensemble excerpt below, full recording available on Rogue Wave CD, Tzadik Branches (2001), subtitle: Invention #7 trio for MIDI piano and interactive computer, percussion and DJ-turntablist (1st track below); MIDI piano solo and computer version (2nd track) Invention #6  (2000) computer network ensemble, using SuperCollider 2 software TimeBomb  (2000) 4 pieces for trombone solo and interactive computer,with and for Abbie Conant, on poems by Mina Loy links to audio of the pieces Invention #5  (2000) for computer network ensembles via the internet Knottyspine (1999) for MIDI keyboard and interactive computer Invention #4  (1999) piano solo:  score, and disklavier recording (below) original version for four melody instruments and interactive computer network Eternal Network Music  (1998-99) computer networks, created for and accessed through Crossfade website Waves  (1998 ) shakuhachi and interactive computer Inventions #1-3 (1997) MIDI keyboard and interactive computer Invention#1 recording: ManyStreams  (1996 ) quartet of melody instruments and computer Talking Drum (1995) computer network quartet interacting with acoustic improvisors – Talking Drum @ CNMAT recording is below,  Pogus Records CD contains a continuously played selection of performances and field recordings from around the world Tenebrae (1994) violin, interactive electronics,and quadraphonic spatialization system Flies  (1993) violin, piano, percussion and interactive electronics excerpt below, full recording available on Rogue Wave CD, Tzadik Lava  (1992) four brass, four percussion, and a computer signal processing and quadraphonic spatialization system (one hour duration) excerpt below, full composition available on Lava CD, Tzadik Wheelies (1992) computer network ensemble, with The HUB excerpt below, full recording available on Boundary Layer, 3CD box set, Tzad Chain Reaction (1990) tenor saxophone, Airdrums MIDI controller, piano/MIDI keyboard, and computer excerpt below performed by Room (Larry Ochs, saxophone, William Winant, percussion, and Chris Brown, piano, Scot Gresham-Lancaster, electronics), from CDCM Computer Music Series Volume 17 Music from the Center for Contemporary Music at Mills College, 1994, Centaur CRC2195 CD Three Over Two (1990) piano solo, or sopranino saxophone, vibraphone, and electronic percussion performance by Room (Larry Ochs, sax; William Winant, vibraphone, Chris Brown, electronic percussion) from 1991 CD Hall of Mirrors, on Music & Arts Quartet with Shadows (1989-90) saxophone quartet and harmonizer commissioned and performed by the ROVA Saxophone Quartet Duo (1989) MIDI keyboard, computer controlled signal processors, and acoustic instrument improvisor Role’m (1988) computer network ensemble, with The HUB Snakecharmer (1987) soloist (any instrument or voice) with interactive computer synthesis recording of performance by Chris Brown, whistling, voice,  computer, TX81Z and Roland VP70 harmonizer, from Snakecharmer, Artifact Recordings, 1989 CD Hall of Mirrors (1986) piano and interactive electronics; or tenor saxophone, percussion, and piano with interactive electronics recording of performance by Room (Larry Ochs, sax; William Winant, vibraphone, Chris Brown, piano and electronics design; Scot Gresham-Lancaster, electronics and computer) from 1991 CD Hall of Mirrors, on Music & Arts Obedience School  (1985) soloist (any instrument) with interactive computer/electronics Iceberg  (1985) percussion and interactive computer/electronics excerpt below, full recording available on Iconicities, New World Records Post Mortem (1984) piano, percussion, saxophone  and digital delay; also a version for piano solo, of which a recording from the Snakecharmer, Artifact Recordings, 1989 CD is below Conjunction, for JKP (1983) carrillon and two-channel tape, or wing (amplified metal rods) Alternating Currents (1983) orchestra and three soloists (trombone, percussion, and original electroacoustic instruments: gazamba (prepared electric piano), wing (bowed metal rods), and computer-controlled stereo spatialization excerpt below, full recording available on Rogue Wave CD, Tzadik Cobalt Blue (1982) saxophone and piano Alchemical Mobsters  (1981) songs with mixed instruments, text by Michael Schippling The Wild Boys  (1980) piano, voice, tape, and live electronics, text by W.S. Burroughs Curved Space Transit  (1980) amplified rods and fixed media Insect Love  (1979) amplified rods and electronics, fixed media Quay  (1977) piano (inside) solo Sparks  (1976) piano solo score: Sparks  Rhythms  (1975) 4 tom-toms or tympani (2 players) Chorale  (1975) for mixed instrumental ensemble (any instruments) Quickening 60:63  (1974) 53 day performance, co-composed with Carl Fravel and performed March-April 1974 Santa Cruz, California by the composers, with many collaborators